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戏剧即生活WalksireWorld
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苏珊娜·施奈德SuannenSeider
&eeherewerethirtyofus，allagedaround2reatthetheatre.Wehadgoodreas.AfterallwehadbeenhundredsofdidatesaheSalzburgMozarteum'sthreedramaclasses.Thatmeahialentedandimportant.
Weprobablyallweretaleoagreaterree，aoo—iingandcedthatourabilitywustothegreattheatresofthisaart，adeservedus.Thatishowwethoughtthen.
Everydayrealitylookedratherdifferelessoolearnwasthatdramastudentskissandhugalwaysandeverywhere.Thegreatfiguresshoefellihallandsundry，aeverwasofferedtous.Ayearlater，whennewpupilsturnedup，weproudlypresentedourselvesasadvanceddramastudents.
InsteadofdegSdShakespeareohadtolearnourg，tap-danging.Throwingandgimaginaryballs.Reg，withclosedeyes，fellowstudentsbytheirhands.Whatallthathadtodowithgreatartotousverysloaage.ereatlong，longlastallowedtowalktheboards，wequiderstoodthatadarkstagecouldbetheloplatheworld.
ItisnotatalleasyforoutsiderstoprehendosedlysodifficultabafewsenteheheOfcefright，butwhatelse?Themostplexthingofallissimplywalkingacrossthestage.etsthatright.Apersastageisnotsimplysomeonewalking，butapersonagapart.Butart?Thatistheproble
&ialeuphavewaytosobriety.Ahhim—orherselfcouldalreadyaswhetherhemerelybelievediyofhistaleherhereallypossessedit.Itwasnotdifficulttoseeinoneselfandinotherswhwithpassiandwhoonlyhadafligtalehreeyearsonereoccupiedwithnothihone'sfeelings，voice，body，andtheinnerbarrierswhiounta.Butitwaseasytodeeselftobeginwithsinceforawhilepassionbeagoodsubstituteforlackoftalent.
Whathasbeeofus—thirtydreamsaeeer?Alongstory，aboveall.No，thirtystories.Someofusarewell-known，almostfamous.AndreaandAprilforinstanehasplayedinaTVoperaforyears，aheristheonlywomaors'teaminSaturday'squizshow.Someofushavevanished，likeMafiaandMathias.Mafia，whodplaythepiaifully，simplydidn'treturhevathefirstyear.Mathias，nasoundstudioinVienna，fihat“myambitionssalittleexcessive.”
Bysayingthis，hepreservedhimselffromalife—liewithwhianybadasolethemselves:thattheyareunluckythatiftherightdireedup，theirimmereciated.
&hoseareabsolutelyeverydaystoriesascouldbetoldatanytimeofanyclassatanydramaschool.However，twostoriesofourdout，onesadandonewonderful.
&ory.EberhardSchmidthadtoolittletimetorealizehisdreams.Hewaobeeagreatdiredhehadalreadygotquiteawayasassistadirectors.HediedofAIDSeightyearsago.Iohimon，atFrankfurtayearbeforehisdeath.
Wewerelinkedbeesfollowedohealphabet.HewasSdIamSeider.Wewerecalledforwardihesixtestswehadtobeforebothtedinthedramaschool.Tobeginwithofcoursewewereeitorsforomosttlacesperclass.Thefurtherwegot，SdSeider，themorewehopedthattheotherwouldbehihgh，weembraced.Forthefirsttime.AimeinFrankfurtwhensayinggood-byeforever.
Thewoory.Sveolfisforthemomenttheonlyoneofusaboutwhomitalreadybesaidthathehasachievedevehanwealldareddreamatthetime.In1996，hewasbestdirectoroftheyear.Thatwasreallysomething.
However，myfirstmeetingwithSvenwasnreeable.TogetherwithelevenothersIhadjustghtheeion.IwassittingwithFranziskaonabentoftherehearsalstage.Sven，ayearaheadofus，stoodoeps，wearingmauvedungarees，andlookiionlessandalittlearrogantbutdamnedgoo-lookingwithawell-structuredfaeyes，andblondehair.
Thehesteps，righttowardsme，ahelastmomentswervedasidesoastoaskFranziskainsteadofme:“What'syourname?”
&helesswebeds.Threeyearslateronight，erepragthetap-stepsforourfiionindanisedtogivemeapartifilmhemade.
TodaySvenisatooraheexecutiveboardoftheThaliaTheaterinHamburg，oneofGermany'sbestpanies.Hehasalsoaygreatpartsaothearistocracyofthecraft.
Rightattheendarearolethatwewouldprobablyneverperfe.IchoseGoethe'sGretodirectorwouldhavecastmeasGretceIlacktheblondenessanddelicacyforthepart.Thatwasthegreatattra.Attheendoftheplay，whesinprisoomadnessandawaitih，shesays，“Woe，woe，theyareih.”
Igaveuptheagprofessiosentence.
Thewordssimplydidn'tflow.Icouldofcoursehaverecitedthem，butwhileIwassayieantlyaskedmyself:Whoisgoingtobelieveiion?Icouldjustaswellhavesaid，“Who'seatenmyjellybaby?”
or“What，aquarterpastfivealready?”
TherewouldnothavebeenanydiffereionIsaidthissentenandagain，hopingthatafearofdeathwouldarise.Theopposite
Whatdistinguishesagoodaabadohereasonformyfailurewhichhadofcoursebeeforsometime—iscredibility.Trueartakietthatthealyplayingapart.
&ionthatthisprofessionwasnotformeainful.Forthreeyearsitwasmylife，awonderfullife.BothoStrausshaswrittenakindofuehetheatre:“Orepreventedmefrombeior.”
Yes，that'strueofme，too.
17年前，我们三十个年轻人都梦想着在戏剧圈干出一番真正的大事业，那时我们都是20岁左右。
我们有充分的理由拥有这样的梦想，毕竟我们是从几百名考生中选拔出来考进萨尔茨堡·莫扎特学院这三个戏剧班的。
那可是一件了不起的事情，因此我们自视甚高，认为自己很有才能。
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